Showing posts with label bucking the trends. Show all posts
Showing posts with label bucking the trends. Show all posts

Tuesday, March 18, 2008

Open letter to the editor of Art Lies


Jennifer Bartlett, Democrat

moderationsmuse, Republican

Jean duc de Berry, affiliation unknown


Dear Art Lies editor:

"I don't think the following statement will come as too much of a shock to the ARTLIES readership: most artists are not Republicans," wrote Kelly Klassmeyer in Issue 44. I only just now learned about your publication when I "Googled" that question myself. Who are the Republican artists? Well, I write so that you need no longer be in the dark about artists and political affiliation. Please report to Kelly Klassmeyer, that indeed some artists are Republicans. I am. I voted for Bush. Have never regretted it. Indeed, whenever I see Al Gore making another self-aggrandising, grand self-serving gesture to "save the planet," (where was he when the dinosaurs needed him?) I am more than ever glad at the decision I made. I did not vote so much for Bush as against Gore, and later Kerry, but the very fact that the Democrats selected these very problematic candidates points toward a deep dis-function on the Dem side.
Anyway, why doesn't one hear more about Republican artists? I'll tell you why. Intimidation. The self-selected "hip" people have declared, just as your publication does, that artists are not Republicans. To announce the contrary causes a person more trouble than it's worth. And thus, artists like me who find themselves nearer the Republican side of the equation than to the Democrat are content to take our views to the voting booth. (The only place where it really matters, after all.)

I am constantly surprised at how readily various artists jump at the chance to be "progressive." But, stereotypes aside, many artists are really quite timid people who find not just their political views but their artistic ones from the "in" crowd. The genuine artist, the one dedicated to creating an image somehow connected to truth, one who is interested in exploring the visual world, searching for real ideas and not cliches, such a person is really quite rare. A thoughtful person might be a Democrat or a Republican, but genuine people makes these choices based upon authentic conviction and not based upon what the hip crowd dictates.

My own views are ones I'd characterize as moderate, hence my pseudonym. I lean toward the Republican party in its support for life (I will never understand the cruelty of the abortion lobby). I am a proponent of individual liberty, of local government, of limited government, of self-reliance and self-esteem. Above all things, I'm in favor of freedom, something that I see Republicans defending more than Democrats.

The Democratic party has become a retro-coalition of competing and mutually hostile interest groups, of self-hypnotized "victims." Klassmeyer appeals to the stereotype of the "rich" Republican, but actually a recent survey showed what simple observation also reveals -- that actually above average income groups tend to vote Democratic. The two "coasts" tend to vote Democratic, and they are also the most expensive regions in which to live. "Rich" is also a label that is conveniently never applied to people like actor George Clooney, Senator Ted Kennedy or Speaker Pelosi -- all of whom are of course millionaires.

Well, anyway, I just thought someone real ought to write to let you know that Republican artists exist, though I'm probably not as much a Republican as your stereotypical artist is a Democrat, because I am not particularly ideological, being a firm believer that the truth is a nuanced thing that ideologues are not likely to find.

I think your article is intimidating so don't expect to hear many other Republican artists chiming in. However, you might benefit from asking yourselves some soul searching questions such as "why has "art" become this elitist thing that is unrelated to the lives of ordinary people?" Indeed, why isn't "life" of interest to "artists" anymore? Why is everything so exaggerated, so mean-spirited, so "hip," so trendy? Isn't it the "environmentally sensitive" Democratic party that defines and defends the "art" of putting a dead shark into a tank of formaldehye? The really great artists of the past were singularities. In all honesty, who is a "great" artist today?

Do we know or care what were the political views of Vermeer, or Titian, or Winslow Homer, or Jean Fouquet, or Adam Elsheimer or Matisse? Their politics are not relevant to the enduring and humane art they created, and this is still true of artists today. The really great artists of the present (whoever they are) are making images that speak to people in genuine ways. It used to be believed that politics diminished this higher view of life. It's a viewpoint that needs a comeback. Maybe then we'll have real artists making real art again, and we won't ask or care how they voted.

Best wishes,

moderationsmuse (pseudonym of an artist living on the East Coast)

The art lies article I referenced can be found here.

For more information about Jennifer Bartlett, a Democrat (the artist did a smallish, personal fundraiser for Al Gore in the 2000 race), click here.

Monday, February 25, 2008

tradition verses life




I used to paint little still lifes of flowers. In recent years, however, my paintings have tended toward hard to categorize images like the "tree" above. I wish I could explain to people why "tradition" is not only important but essential. I also wish I could explain why most times people easily mistake what "tradition" actually is. The idea of the past is so misunderstood that one is hard pressed to know where to begin setting people right about it. Conservative "traditional" artists don't understand the past, and avant garde "edgy" artists don't understand it either (neither do they understand the tyranny of the present).
But necessity is the mother of invention, and I find it nearly impossible to market my "innovative" paintings like the Tree picture. It is not weird enough to suit the hipster crowd, nor familiar enough to be readily understood by a large public. So it, and I with it, fall between the cracks.
Consequently I've been thinking of turning more of my attention to "traditional" subjects -- like vases of flowers again. I can hide as much modernity in them as I like, and still appeal to an audience that wants subject matter to be transparently meaningful.
Sometimes I've wondered if this decision represents a retreat. But I am just beginning to understand the ways in which it's an advance. It's a way into a more modern painting than what I was doing. It is a way of shaking off the last vestiges of "modern art" and just making an art about life (in this case about my life).
And nothing really is more removed from tradition, convention, fashion and so forth than plain ol' life.
"Study life" has always been the credo of the old masters and for good reason. It is the most misunderstood and most profound, most deep and most difficult bit of advice to do!

Saturday, February 23, 2008

New artists




I have been thinking a lot about the new artist, the one who perhaps hasn't been born yet. I am, like Durer, wondering about the art of the future. I am quite certain it is nothing like the stuff being palmed off as "art" today. This real artist who might be a teenager now, or might be a newborn, who is a genuine artist, is not someone who will even be tempted by today's trends (or tomorrow's either), yet the trends will be there to make his or her life difficult.
This artist of the future is more interested in the life before his eyes, has ideas about things that he wants to make tangible.
This artist that I have in mind doesn't really need an education in art since everything worth knowing is plainly visible in the works of great masters -- all their ideas being visual ideas, they are right there to see. However, with a profusion of junk always around, such an artist probably most likely needs encouragement, needs to hear that what he is doing, does matter.
I realize now that this is the person I want to address.