Showing posts with label details. Show all posts
Showing posts with label details. Show all posts

Saturday, March 15, 2008

Longing for Picasso?



[Detail of Picasso's drawing of Ruth Dangler, NGA, Washington DC]

WilliePilgrim makes me feel guilty. (It's of course not your fault Willie.) I seem to be always the party pooper here. But I read your column regularly now because you're a nice young girl and because I'm an artist too.

I have seen so many clones of these artist that I am rather biased against them at this juncture in my life. I will admit that the water in "Off the Gaspe" has some interesting qualities. But on balance I find all these photo imitating artists a bit pointless. There's so little understanding of what drawing is, for instance, how it is utterly different from what a photograph does.

A drawing is more like a notation that evokes or describes a visual "thought." And thoughts are such funny things. A thought can be very elaborate, very specific or "filled out." Or it can be most vague and ineluctable. A great artist can make a drawing that is like a sigh ("ahh...") or a shrug or like a bright glance or a keen message. This artist strikes me as being unaware of all that. He is so achingly "modern" wearing it like a Boy Scout merit badge. But he's hardly alone. Ninety percent of "artists" are just like this.

Sigh. One can think that Picasso was a brat. But then modern art makes one almost long for Picasso, a true draughtsman!

Theses comments are in reference to Kimberly Brooks review of the photographic drawings of Ethan Murrow found here at the Huffington Post.

Monday, February 25, 2008

Details




I made studies related to my painting of the flowers. And so, of course, did Cezanne. Above is a detail of a Cezanne watercolor and a pastel detail of a study I did for the painting in the previous post.
Each time you revisit a subject in this way, you see it somewhat differently. All the small spaces have changed. Your attention has changed. Your tools are different and lend themselves to other uses. To redraw the same subject numerous times is itself a form of innovation. {To see some related drawings, click here.)